Words

Ideas

Pretending


Jacob York, Creative Endeavors



In the concentration camp brothels operated by the Nazis at the height of World War II, Barbara, a young Jewish woman (who has passed herself off as a Polish gentile) is taken into Buchenwald and immediately noticed as a particularly striking girl by the infamous (and horrifying) “Witch of Buchenwald,” Ilse Koch.

Meanwhile, a high-ranking Nazi Officer arrives assigned to conduct an inspection on the camp; however, his visit to Buchenwald is not all it seems. Barbara is trapped between these two opposing horrors. She has no power, no options, but knows there must be some way out.

What happens when your only shelter is in the hands of your greatest enemy? 

Read Lagerbordell on New Play Exchange.
Development:
Reading, Stage Door Players - 2018



Recommendations:

“From the first reading, I recognized Lagerbordell as a powerful testament to the resilience of the human spirit under terrifying circumstances. Like the most effective theatre, it confronts vast moral and historical questions by focusing on specific individuals, their relationships, and their unique circumstances.” 

Mira Hirsch - Founding Artistic Director, Jewish Theatre of the South


“What draws me to this piece is its unflinching interrogation of power—how it is seized, surrendered, and justified—and its insistence that we bear witness to the consequences of those dynamics. The world of Lagerbordell refuses distance or abstraction; it places both audience and artists inside systems of brutality, complicity, and survival that feel disturbingly resonant within our current political moment. The play asks not only who holds power, but who is deemed deserving of violence, protection, or erasure—questions that feel urgent and unavoidable.”

Kristin Storla - Intimacy and Fight Director